It is safe to say that the flood of reminiscences, obituaries, and various kinds of public necrologies that have marked the death of Oleg Grabar are quite without parallel in the history of Islamic art history. They complement the numerous appreciations of him that were published in his lifetime, and indeed his own reflections on his career. In the months following his death in January 2011 a series of meetings was convened at which scholars spoke about his work, and the anniversary of his death was marked by a symposium in Istanbul to celebrate his contributions to the understanding of Turkish Islamic art.